My work is not a static image; it is an active visual system. I investigate how matter and color react to the two most present variables in nature: light and movement.

My pieces demand the presence of an active spectator who traverses the space. I work with small surfaces and laminar textures painted by hand with an airbrush; by painting with air, the volumes trap the pigment just as a mountain's slopes intercept the fog. Thus, multiple realities coexist in each work, transforming according to the viewing angle. What you perceive in one moment disappears in the next, creating a dialogue between the work, the space, and the person traversing it.

I develop my practice through Series. In them, color ceases to be a fixed quality and becomes a physical phenomenon that shifts, hides, and reveals itself.

"I understand the work of art as a situation, not as an object."

My work proposes a conscious and playful relationship with matter. Inspired by natural processes, I seek to make the observer's perception participatory. My purpose is for the work to function as a threshold to the elemental.

The work operates as a social device, a bridge to primal emotions—those we thought lost as we grew up. The spectator no longer observes: they play. And in doing so, they restore—even if briefly—the magic of looking at the world for the first time.